Playing Big
Audiobook & Ebook

Playing Big by Tara Mohr | Free Audiobook

By Tara Mohr

Narrated by Tara Mohr

🎧 8 hours and 26 minutes 📘 Penguin Audio 📅 October 14, 2014 🌐 English
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About This Audiobook

A groundbreaking women’s leadership expert and popular conference speaker gives women the practical skills to voice and implement the changes they want to see—in themselves and in the world.

In her coaching and programs for women, Tara Mohr saw how women were “playing small” in their lives and careers, were frustrated by it, and wanted to “play bigger.” She has devised a proven way for them to achieve their dreams by playing big from the inside out. Mohr’s work helping women play bigger has earned acclaim from the likes of Maria Shriver and Jillian Michaels, and has been featured on the Today show, CNN, and a host of other media outlets.

Sheryl Sandberg’s Lean In gave many women new awareness about what kinds of changes they need to make to become more successful; yet most women need help implementing them. In the tradition of Brené Brown’s Daring Greatly, Playing Big provides real, practical tools to help women quiet self-doubt, identify their callings, “unhook” from praise and criticism, unlearn counterproductive good girl habits, and begin taking bold action.

While not all women aspire to end up in the corner office, every woman aspires to something. Playing Big fills a major gap among women’s career books; it isn’t just for corporate women. The book offers tools to help every woman play bigger—whether she’s an executive, community volunteer, artist, or stay-at-home mom.

Thousands of women across the country have been transformed by Mohr’s program, and now this book makes the ideas and practices available to everyone who is ready to play big.

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Quick Take

  • Narration: Tara Mohr narrates her own book with the measured confidence of a practiced coach, warm without being saccharine and clear without condescending.
  • Themes: Silencing the inner critic, unhooking from approval, identifying and acting on personal callings
  • Mood: Encouraging and practical, more grounded than most women’s leadership books
  • Verdict: A practical, well-structured guide for women who want concrete tools to work against the internal barriers that keep them underestimating themselves.

There is a category of women’s leadership book that announces itself through its title, where the cover promises transformation and the interior delivers a set of platitudes dressed in coaching language. Playing Big is not that book, and the fact that multiple reviewers, including those who approached it skeptically, came away convinced is the most useful thing I can tell you before we go any further. This is an eight-and-a-half hour listen that consistently delivers substance over inspiration-without-content, and Tara Mohr narrating her own material is part of why it works as well as it does.

Mohr developed the Playing Big framework through coaching programs for women and identifies a specific problem: women who are aware of the changes they want to make in their careers and lives but cannot translate that awareness into action. She positions this explicitly as a companion to Sheryl Sandberg’s Lean In, which diagnosed the awareness problem, and to Brene Brown’s work on vulnerability, offering the practical tools that both books circle without fully providing. Whether you agree with that framing depends on how you assess those earlier books, but the claim is worth taking seriously because Mohr’s content is genuinely practical in ways that distinguish it from adjacent titles.

Our Take on Playing Big

The core toolkit Mohr offers includes identifying and naming the inner critic voice as distinct from genuine self-assessment, learning to unhook from both praise and criticism by developing internal standards rather than external-approval-dependent ones, unlearning what she calls good girl habits that prioritize others’ comfort over one’s own clarity, and finding what she calls callings as distinct from goals. These are not abstract concepts. Each chapter moves through the framework with exercises and examples, and the exercises are the kind that reviewer Kelly Osborne described as thought-provoking enough to want to return to with a journal. Mohr is building a practice, not just an argument.

Why Listen to Playing Big

Mohr’s self-narration reflects her background as a coach and speaker. She calibrates her pacing to the material rather than reading at a uniform rate, and the exercises land differently in audio than they might in print, where you might skip ahead to the next chapter instead of sitting with the question. Reviewer PeaceBang, who described approaching the book with skepticism born of too many vapid self-help titles, found it substantive and practically useful. Reviewer Sam, a man who picked it up to better understand the barriers women face professionally, found it valuable enough to recommend for that purpose specifically. The book’s reach extends past its primary intended audience.

What to Watch For in Playing Big

Mohr does position herself as a guru with a program, and one reviewer was honest that this framing has a commercial quality that some listeners will find off-putting. The Playing Big workshops and coaching programs exist, and the book is partly a portal to that ecosystem. That does not diminish the value of what is in the audiobook itself, but listeners who are attuned to the structure of thought-leadership-as-business may find themselves occasionally aware of it. The content about callings, in particular, operates at a philosophical level that is less immediately actionable than the inner critic and approval-unhooping sections.

At eight and a half hours this is a substantive listen, longer than most books in its category. The length is justified by the depth of the exercises and the number of distinct tools Mohr develops, but listeners who want a quick conceptual overview rather than a full working-through of each framework should know this rewards completion rather than dipping.

Who Should Listen to Playing Big

Women who recognize themselves in the description of playing small, dimming ambition, waiting for permission, over-qualifying their ideas, will find direct and useful tools here. The book also works for listeners who have read Lean In or Brown’s work and felt those books identified problems without solving them. Men who want a clearer picture of the internal barriers many women experience professionally, as reviewer Sam described, will find this illuminating for that purpose as well. Listeners who prefer memoir-driven personal development over framework-based content may want something with more narrative texture.

Frequently Asked Questions

Is Playing Big only relevant for women in corporate careers?

No. Mohr explicitly addresses this, noting the book is for any woman who aspires to something, whether she is an executive, an artist, a community volunteer, or a stay-at-home parent. The internal barriers she identifies are not confined to professional advancement in traditional career settings.

How does Playing Big compare to Lean In and Daring Greatly?

Mohr positions it explicitly as a practical complement to both. Lean In diagnosed the structural and behavioral barriers women face without providing tools to address the internal ones. Daring Greatly addressed vulnerability and courage without practical career application. Playing Big is intended to fill the gap between awareness and action.

Does Tara Mohr narrating her own work add meaningfully to the listening experience?

Yes. Her background as a coach and public speaker is evident in her pacing and delivery. The exercises she guides listeners through land differently with her voice than they would with a professional narrator unfamiliar with the material. Multiple reviewers described her voice as encouraging and easy to engage with over the full runtime.

Is the inner critic framework specific to women or applicable more broadly?

Mohr develops the inner critic tool specifically in the context of how socialization shapes women’s self-doubt, but reviewers including men have noted its broader applicability. The tools are specific enough to be useful and general enough to apply beyond the primary audience.

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Alexandra Reed

Written by Alexandra Reed

Founder & Literary Critic