Contesting: The Name It & Claim It Game
Audiobook & Ebook

Contesting: The Name It & Claim It Game by Helene Hadsell | Audiobook Review

By Helene Hadsell

Narrated by Carolyn Wilman

🎧 5 hrs and 10 mins 📘 ‎ Creative Marketing Systems Inc. 📅 January 1, 1979 🌐 ‎ English

Nothing at all fills the description field on this audiobook page, and that absence is the first thing worth reporting. No synopsis, no summary, not one sentence about what five hours and ten minutes of listening contains. What the record does carry is a January 1979 date, a $23.95 price, a narrator whose name is not the author's, and a single review from 2010 filed under the reviewer name Placeholder. This piece is therefore a review of a record rather than of a reading, and it is worth being upfront about that.

January First, a Catalog's Guess at the Year

The title is doing all the work the publisher left undone. Contesting is the hobby of entering competitions systematically, and the phrase attached to it, naming a thing and then claiming it, points toward the law-of-attraction tradition the sole reviewer names, not toward postage-and-odds arithmetic. Helene Hadsell is credited as the author. The one reader who left a paragraph confirms the shape of the book from the outside, describing methods set out in the book, applied across several contests, and a claim that Hadsell won every contest entered, exactly as stated in the text.

January 1, 1979 sits in the release field, and the first of January is what a catalog writes when only the year is known. Read it as an age and leave the day alone. A method book from the late seventies about winning competitions is a period document as much as a manual, and the arithmetic underneath it belongs to a period before entries could be filed by computer, which is precisely the objection raised in the one paragraph anybody left here. Nothing on this page indicates whether the audio edition updates any of it or simply reads the original through.

The Voice Reading It Isn't the Voice That Won

Carolyn Wilman is credited with the narration, and the author credit belongs to somebody else, so this is not a case of a writer reading a personal method aloud. That distinction matters for a book of instructions and testimony: the first-person wins in a contesting manual belong to Hadsell, and the voice delivering them belongs to a different person. With no description to set expectations, a name and a duration amount to nearly everything this listing promises.

One Review Argues the Method Doesn't Scale

One review exists and it is a one-star, which makes it far more useful than a shelf of praise. The objection is a specific one: this reader bought the book on the strength of the law of attraction and some recommendations, applied the methods as described across several contests, then reasoned that whatever Hadsell achieved happened when entry numbers were not in the millions and before anyone could enter by computer. That is a serious argument about scale, and it concedes the book's honesty while disputing its usefulness.

Five hours and ten minutes is a workable length for a method book, and audio suits this kind of material better than it suits reference. Instructions with stories attached, which is what testimony-driven self-help usually is, carry well in a voice; the parts that suffer are the checklists and the addresses, because you cannot scan back to them. If you go in wanting the philosophy and the anecdotes instead of a procedure to copy, the format is on your side.

Contesting as a pursuit has an audience that overlaps with the sweepstakes hobby, the law of attraction shelf and the vintage self-help collector, and this record sits at the junction of all three. The listing files it under biographies and memoirs with a Cultural and Regional tag, which suggests the story of one person's winning streak in place of a manual, and given the empty description that filing may be the closest thing to a genre hint available.

A Reviewer Named Placeholder, and a Math Problem

Two votes stand behind the 4.0 on this page, and between them they must come to exactly 8 of the 10 points available. Only one grade shows anywhere here: a single star. Even if the second voter awarded a perfect 5, the pair reaches 6, which is two points short of what the badge requires. So the one-star response is either not counted in that average or the counter is reporting a different population. Both readings are worth knowing before the number persuades you of anything.

Spelling is the second thing to check. The byline reads Helene Hadsell; the one-star entry underneath it writes Helen Hadsell. One of those is wrong, and the page does not tell you which. Anyone searching for other editions, for a print copy or for what became of the method should try both forms, because a single missing letter is enough to hide most of a back catalog from a search box.

Whoever assembled this record left fingerprints. The publisher field and the language field both begin with a stray invisible character, the sort of residue left when values are pasted between systems. The reviewer name is the word Placeholder, which is a default value where a person should be, and the body of that review simply stops, mid-sentence, on a draw the writer was keeping tabs on. A $23.95 price on a page this thin is asking for a good deal of trust.

Skip It Unless You Want the Historical Appeal

Collectors of vintage self-help, and people who enter competitions as a hobby, will see the appeal at once, and so will anyone curious about how the law-of-attraction tradition talked about itself before the modern boom. If the appeal is historical, the age of the material is a feature and not a defect, and five hours is a modest commitment for a look at how a confident method sounded in its own period.

Skeptics wanting a working system for today should read that one-star entry first, since it makes the case against far more efficiently than anything else here could. Anyone who wants to know what is inside before paying should treat that empty description as a reason to wait. Until the fields on this page are filled in, the honest summary is that you are being offered a late-seventies method book at a modern price, described by nobody, and graded by a number that cannot be reconciled with the only opinion on show.

  • Narrator: Carolyn Wilman holds the credit on a book written by somebody else, so first-person wins reach you through someone else entirely.
  • Subjects: Contesting and sweepstakes strategy, the law of attraction, positive expectation, one person's winning streak.
  • Tone: Confident and instructional, and audibly of its period.
  • Bottom line: Hard to recommend blind, because the page offers no description at all, and the single review argues the method belongs to a smaller era.

Frequently Asked Questions

Where did the description for this audiobook go?

It is simply absent. The synopsis field on this listing is empty, so the title, the author credit, the narrator credit, the price and a running time of five hours and ten minutes are all a buyer gets. The single customer review is the only prose on the page describing what the book actually does.

Is the 1979 date on this audiobook listing believable?

As a year, probably; as a date, no. The field reads January 1, which is the conventional stand-in when a catalog knows only the year. Treat it as an indication of age, with the day itself meaning nothing, and remember that an audio edition of a late-seventies title was necessarily produced much later than the text.

Why is the narrator's name different from the author's?

Because this is not a self-read memoir. Helene Hadsell is credited with writing it and Carolyn Wilman with reading it, which is an ordinary arrangement but worth noticing here: the wins and the methods are told in the first person by the author, and a different performer delivers them to you.

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What Listeners Are Saying

★☆☆☆☆

out dated

I bought this book based on my knowledge of the law of attraction and a few recommendations. I have used the methods as described on several contests - but - it suddenly hit me - if in fact and I have no reason to doubt this - Helen Hadsell did...

- Placeholder

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Alexandra Reed

Written by Alexandra Reed

Founder & Literary Critic