The Complete King James Version Audio Bible
Audiobook & Ebook

The Complete King James Version Audio Bible by Christopher Glyn | Audiobook Review

By Christopher Glyn

Narrated by Christopher Glyn

🎧 86 hours and 19 minutes 📘 Whitestone Media 📅 October 12, 2018 🌐 English

About This Audiobook

Since its first publication in 1611, the King James Version of the Bible, with its flowing language and prose rhythm, has had a profound influence on the literature of the past 400 years and is the greatest English translation ever produced.

English speakers around the world are acclaiming this recent recording by British narrator Christopher Glyn, whose talented voice and knowledge of the text makes for a rich listening experience, capturing the beauty and power of God's word and making the King James English clear and easy for a modern audience to understand.

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There is no reviewing the content of the King James Bible as one would review a novel or a work of nonfiction, the 66 books that comprise it span narrative, poetry, law, prophecy, epistle, and apocalyptic vision, and they have been read, argued over, and transformed by four centuries of reception history. What can be assessed here is this specific audio production: Christopher Glyn’s recording of the complete KJV text, all 86 hours and 19 minutes of it, and what it offers to listeners who come to the Bible through audio rather than print.

The King James Version was first published in 1611, commissioned by James I of England, and produced by a committee of 47 scholars working from Hebrew and Greek manuscripts. Its influence on English literature is incalculable, John Milton, William Blake, Herman Melville, Toni Morrison, Marilynne Robinson, and virtually every significant anglophone writer of the past four centuries has been shaped by its rhythms, phrases, and imagery. Reading it now is both a religious and a literary act, and Glyn’s production takes the literary dimension seriously.

Our Take on The Complete King James Version Audio Bible

Glyn is a British narrator with a background in devotional recording, and he brings what one reviewer describes as a talented voice and knowledge of the text. That knowledge shows in the phrasing, he understands where the natural units of breath and emphasis fall in the KJV’s cadences, which is not something any reader of English prose can simply transfer to this text. The older books of the Hebrew Bible, with their long genealogies and legal passages, present the greatest challenge to a narrator trying to maintain listener engagement, and Glyn handles them with appropriate dignity without making them feel interminable.

The New Testament, with its more varied genre mix and shorter units of text, tends to reward Glyn’s approach more visibly, the Gospel narratives, the epistles with their argumentative structure, and the extraordinary compressed visionary prose of Revelation all benefit from the clarity and measured pace he brings.

Why Listen to The Complete King James Version Audio Bible

The case for audio is stronger for this text than for almost any other. The KJV was designed for reading aloud, it emerged from a culture in which public reading of scripture was central to religious life, and its rhythms are oral rhythms. Many of its most famous passages were composed with the ear in mind rather than the eye, and hearing them spoken rather than read silently restores a dimension of the text that print can flatten. For devotional listeners, working through the full Old and New Testaments in audio form over days or weeks is a genuinely different encounter with the text than reading it in segments.

At 86 hours, this is among the longest audiobooks available on any platform. Listeners who use this primarily for daily devotional listening rather than straight-through completion will find it well-suited to that rhythm, individual books and passages are clearly delineated, and the navigation structure allows for targeted listening rather than sequential consumption.

What to Watch For in The Complete King James Version Audio Bible

The production notes for this edition are less detailed than ideal, and some listener reviews reference disc or chapter navigation issues in earlier physical versions. The digital audio edition appears to have resolved most of these concerns, but listeners planning to use this as a structured daily reading program should verify the chapter navigation features of their platform before committing.

The KJV’s language is archaic in ways that can create barriers for listeners unfamiliar with Early Modern English. Glyn reads it clearly, but the thee and thou pronoun system, the verb conjugations, and the occasional Hebraic syntactical structures do require some adjustment. Listeners who find the language genuinely opaque may want to follow alongside a modern translation for certain passages, particularly in the prophetic books.

The Right Listener for The Complete King James Version Audio Bible

Devotional Christians who want to hear the complete Bible read with reverence and clarity will find this a strong production. Listeners approaching the KJV from a literary rather than a religious perspective, those interested in its influence on English prose style or its significance as a translation achievement, will also find Glyn’s narration attentive to the text’s literary qualities. Those seeking a dynamic, dramatized production with multiple voices and sound design should look at full-cast Bible productions instead. This is a single-voice reading designed for sustained, contemplative engagement.

Key Details

  • Read by: Christopher Glyn brings a measured British reverence to the KJV text, with vocal clarity and pacing that suits devotional listening across the full 86-hour span.
  • At its heart: covenant and law, prophecy and fulfillment, wisdom literature
  • Vibe: Reverent, ceremonial, and spacious
  • Short version: A well-produced audio edition of the KJV that serves its primary audience, devotional listeners who want to hear the full text read with care and clarity.

How does this compare to other complete KJV audio Bible recordings in terms of narration quality?

Glyn is considered one of the better single-voice recordings of the KJV, valued for his British diction and clear understanding of the text’s cadences. Listeners who have heard other productions note his pacing and tonal consistency as particular strengths across the full 86 hours.

Is this production abridged or complete?

It is the complete KJV text, Old and New Testaments, 86 hours and 19 minutes. Nothing is omitted.

How does Glyn handle the more demanding textual sections like Leviticus or Numbers?

He reads the legal and genealogical passages with consistent dignity and appropriate pace, not dramatizing them but not rushing through them either. Those sections remain the most challenging for sustained listener engagement regardless of narrator, but Glyn treats them with the same care as the narrative books.

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What Listeners Are Saying

★★★★★

Hands free

Works great on my iPad and iPhone. I just wish it worked on my kindle paper white.

- Doris Holaway
★★★★★

The spoken Word

Truth!

- Connie Latham
★★★★★

A Sacrifice like no other

I did not truly know how best to determine the value of this purchase.The rated value assigned represents a problem that has not been resolved.The problem that has not been resolved is complicated by the fact that upon discovering this problem I felt there was a wilful misdeed underfoot, that...

- CitizenChampion
★★★★★

CDs make road travel educational

These King James Version Bible CDs enable anyone interested in hearing the contents of the Bible (King James Version), read by a professional. The contents of the Bible can greatly differ from what is sometimes preached and taught; hearing them is far more beneficial.These CDs are far more useful for...

- Jimbob
★★★★☆

O.T. Awesome, N.T. So-So

I love James Earl Jones, but I must say that I was disappointed with his rendition of the New Testament. He reads it lazily, almost in a whisper, as if he is trying to preserve his voice from wearing out. And he makes mistakes. Yes, there are mistakes. I just...

- John E. Cole

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Alexandra Reed

Written by Alexandra Reed

Founder & Literary Critic