Everybody Lies
Audiobook & Ebook

Everybody Lies by Seth Stephens-Davidowitz | Free Audiobook

By Seth Stephens-Davidowitz

Narrated by Timothy Andrés Pabon

🎧 7 hours and 39 minutes 📘 Dey Street Books 📅 May 9, 2017 🌐 English
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About This Audiobook

Foreword by Steven Pinker

Blending the informed analysis of The Signal and the Noise with the instructive iconoclasm of Think Like a Freak, a fascinating, illuminating, and witty look at what the vast amounts of information now instantly available to us reveals about ourselves and our world—provided we ask the right questions.

By the end of on average day in the early twenty-first century, human beings searching the internet will amass eight trillion gigabytes of data. This staggering amount of information—unprecedented in history—can tell us a great deal about who we are—the fears, desires, and behaviors that drive us, and the conscious and unconscious decisions we make. From the profound to the mundane, we can gain astonishing knowledge about the human psyche that less than twenty years ago, seemed unfathomable.

Everybody Lies offers fascinating, surprising, and sometimes laugh-out-loud insights into everything from economics to ethics to sports to race to sex, gender and more, all drawn from the world of big data. What percentage of white voters didn’t vote for Barack Obama because he’s black? Does where you go to school effect how successful you are in life? Do parents secretly favor boy children over girls? Do violent films affect the crime rate? Can you beat the stock market? How regularly do we lie about our sex lives and who’s more self-conscious about sex, men or women?

Investigating these questions and a host of others, Seth Stephens-Davidowitz offers revelations that can help us understand ourselves and our lives better. Drawing on studies and experiments on how we really live and think, he demonstrates in fascinating and often funny ways the extent to which all the world is indeed a lab. With conclusions ranging from strange-but-true to thought-provoking to disturbing, he explores the power of this digital truth serum and its deeper potential—revealing biases deeply embedded within us, information we can use to change our culture, and the questions we’re afraid to ask that might be essential to our health—both emotional and physical. All of us are touched by big data everyday, and its influence is multiplying. Everybody Lies challenges us to think differently about how we see it and the world.

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Quick Take

  • Narration: Timothy Andrés Pabon delivers Stephens-Davidowitz’s punchy, essayistic prose with good energy, the writing is designed for engagement, and Pabon matches that register.
  • Themes: Big data as a truth-telling mechanism, unconscious human behavior, the limits of self-reported data
  • Mood: Provocative and entertaining, with an undercurrent of genuine unease about what the data reveals
  • Verdict: One of the most readable big-data books in audio, though listeners should note the argument is more journalistic than scientific and some conclusions are pushed further than the evidence strictly supports.

I was somewhere on the subway between home and a dinner party when Seth Stephens-Davidowitz made his case for why Google search data is more honest than any survey ever conducted. The argument is simple: people tell Google things they tell no one else. They don’t lie to a search engine, and they don’t self-censor, because they believe no one is watching. The aggregate of those unguarded moments constitutes what Stephens-Davidowitz calls “digital truth serum”, a record of what people actually think as opposed to what they say they think.

I arrived at the dinner party somewhat unsettled. That is, I think, the correct response to Everybody Lies.

The Central Thesis and Where It Holds

The foreword is by Steven Pinker, and the book’s intellectual company is with the data-inflected social science writing that flourished in the 2010s, it shares a shelf with Freakonomics and The Signal and the Noise, as the synopsis acknowledges. Stephens-Davidowitz has something those books do not quite have, though, which is a thesis about the specific kind of honesty that anonymous digital search behavior reveals. He argues that the gap between what people report (in surveys, to friends, to researchers) and what they search for privately is a systematic bias, and that correcting for it changes the picture of human behavior quite dramatically.

The applications he examines are wide-ranging: what percentage of white voters in 2008 did not vote for Barack Obama because of racial prejudice (more than survey data suggested); whether parents differentially encourage sons and daughters in their academic development (yes, and in directions that might surprise you); whether violent movies reduce violent crime by providing a safe outlet for aggressive impulses. These findings are genuinely interesting, and the book is consistently entertaining in presenting them.

Where Stephens-Davidowitz Overstates His Case

One of the available reviews notes this directly and I think fairly: the book is smart and fast-paced, but it overstates its case at several points. Correlation in search data is not causation, and Stephens-Davidowitz sometimes moves from “people who search for this also tend to do that” to “this causes that” with more confidence than the methodology strictly supports. The book is a work of data journalism written for a general audience, and it behaves like one, the conclusions are usually more hedged in the supporting footnotes than in the main text.

This is not a disqualifying criticism. The book is not pretending to be a peer-reviewed paper. But listeners who want to carry the specific numerical claims into arguments should verify them against the underlying studies.

The Listening Experience at 7 Hours

Seven hours and thirty-nine minutes is the right length for this book. It moves quickly, it is organized by theme rather than by methodology (which is the correct choice for audio), and Timothy Andrés Pabon’s narration matches the book’s register well. Stephens-Davidowitz writes with wit and momentum, and Pabon does not dampen either quality. The passages dealing with sensitive findings, on race, sex, and mental health, are handled by Pabon with the same directness the text brings to them, which is the right call. This is not a book that rewards squeamishness.

Who Should Listen, Who Should Skip

This is for anyone who wants to understand what big data actually reveals about human psychology and behavior, told through specific, often surprising findings rather than through methodology. It is genuinely accessible and does not require a statistical background. Skip it if you want rigorous empirical analysis rather than data journalism, the claims here are interesting but not always as bulletproof as the presentation suggests. Pair it with The Art of Statistics if you want to understand what makes a data-driven argument trustworthy versus seductive.

Frequently Asked Questions

Does Everybody Lies require any background in data science or statistics to follow?

None at all. Stephens-Davidowitz writes for a general audience and uses findings rather than methodology as his organizing principle. The book is structured more like a series of connected essays than a technical treatment, and the arguments are accessible without any quantitative background.

How does the book handle the privacy implications of using Google search data for social research?

Stephens-Davidowitz addresses the privacy dimension in several places, acknowledging both the analytical power and the ethical complexity of this data source. He does not avoid the question, but it is not the book’s primary focus. Readers interested in the policy and ethical dimensions will want to supplement with other sources.

Is the data in Everybody Lies still current, or have the findings been superseded?

Some of the specific datasets and examples are from the 2010s, and search behavior patterns shift over time. The core thesis about the gap between self-reported and search-revealed behavior remains relevant, but specific statistics should be treated as illustrative rather than current. The book’s value is in the framework more than in the specific numbers.

Timothy Andrés Pabon is known for political and literary fiction narration, does he handle this more journalistic non-fiction well?

Yes. Pabon’s natural delivery suits Stephens-Davidowitz’s punchy, essayistic writing style. The narration has the quality of someone reading aloud from a smart magazine feature rather than performing a literary text, which is exactly what this material needs.

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Alexandra Reed

Written by Alexandra Reed

Founder & Literary Critic