Alaskan Retreater's Notebook
Audiobook & Ebook

Alaskan Retreater's Notebook by Ray Ordorica | Audiobook Review

By Ray Ordorica

Narrated by Stephen Bel Davies

🎧 6 hours and 55 minutes 📘 Audible Studios 📅 March 25, 2016 🌐 English

About This Audiobook

In the fall of 1978, Ray Ordorica packed everything he thought he would need into his Toyota LandCruiser and drove north to Alaska. He came to a land he had never seen, to find something he wasn't even sure existed: a wilderness cabin he could use for a year or more to live, think, relax, read, and write. Ordorica found his cabin, fixed it up, and, although it was just an un-insulated 12- by 16-foot one-room log structure, he spent three winters in it in relative comfort.

Ordorica's life in that cabin fulfilled a dream he had had for more than 10 years. During his long winters in Alaska, it occurred to him that there must be many others who have put off an extended wilderness visit out of ignorance or fear. They have as many questions about Alaska as he had before he arrived: How do you cope with 40 below? How do you get water? Is it totally dark in mid-winter? These questions and many more gave Ordorica the idea to write the Alaskan Retreater's Notebook, an epic memoir about one man's journey into the Alaskan wilderness. With his wisdom, you will learn how to live with the country, and not against it.

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Ray Ordorica packed everything he thought he would need into a Toyota LandCruiser in the fall of 1978 and drove north. He had never seen Alaska. He wasn't even sure the thing he was looking for existed. The Alaskan Retreater's Notebook is his audiobook account of what he found: a 12-by-16-foot uninsulated log cabin where he would spend three winters, and the confirmation that the life he had been imagining for more than a decade was actually livable. Stephen Bel Davies narrates across six hours and fifty-five minutes with the unhurried clarity the material asks for.

Ordorica is not a wilderness celebrity. He did not arrive famous and document his isolation for an audience already invested in his fame. He was a man with a dream he had carried a long time, and he simply went. The plainness of that choice is what gives this memoir its unusual quality. It does not ask for admiration. It asks you to consider what you might be putting off, and why.

An Epic Memoir That's Actually Honest and Direct

Davies's reading is well-matched to the material. He brings a clear, methodical quality to the practical sections, the sections one reviewer accurately describes as largely advice to people thinking of spending any length of time in the wilderness, without making them feel like a manual rather than a memoir. That balance is important because the book shifts register several times: practical information and reflective meditation live side by side, and Davies handles both without losing the thread.

The structure of the book reflects Ordorica's experience of Alaskan winters: long stretches of careful observation interrupted by moments of sharp insight. He addresses the questions any sensible person would ask about extended wilderness living, how do you cope with forty below, where does the water come from, what does mid-winter darkness actually feel like, and he answers them without condescension. The book's subtitle calls it an epic memoir, which is somewhat grand for what is ultimately an honest, direct, and personal account. But the ambition of the project is genuine: Ordorica wanted to write the book he wished he had before he drove north.

The Philosophy of Living With the Country

The sections on practical survival are where the book is most distinctive. Ordorica writes about living with the country rather than against it, and that phrase carries a philosophy as much as a technique. He is not advocating for hardship as virtue; he is describing how hardship, properly approached, stops feeling like hardship and starts feeling like competence. That shift from fear-driven survival to confident engagement with a demanding environment is the emotional arc of the book, and Davies traces it quietly across the listening experience.

One reviewer notes the book becomes somewhat repetitive in places, particularly around practical topics, and that is fair. Ordorica circles back to similar terrain more than once, which can read as thoroughness or redundancy depending on what you came for. The same reviewer would have liked more detail about food procurement and cooking, which are treated more lightly than the cold-weather survival content. These are real structural notes rather than dismissals: the book is genuinely enjoyable despite the unevenness, and a reviewer who hated when it ended captures the overall experience accurately.

Davies Sounds Like a Knowledgeable Friend Talking

The emotional center of the memoir is not survival but fulfillment. Ordorica spent more than a decade wanting something specific and delayed it for reasons that never fully satisfied him. When he finally went, the experience confirmed that the dream was real. That confirmation is what he is passing on to readers, and it gives the practical information a dimension that pure how-to content cannot achieve.

Davies's narration is most effective in the quieter, more reflective passages. He reads without urgency, which suits a narrator describing the experience of stillness. The audiobook format is a good fit for this material: Ordorica's voice, as filtered through Davies's reading, has the quality of a knowledgeable friend talking you through something he has done and you have not. The information feels earned rather than sourced. A reviewer who calls it educational and fun captures the combination accurately: you leave knowing things that might actually be useful, and you were not bored getting there.

The question of why Ordorica waited more than a decade before acting on his dream is not fully answered, but it does not need to be. What he is more interested in is the gap between imagining a life and living it, and what happens in that gap when you finally close it. That question is the book's real subject, underneath the practical advice about insulation and water supply. Davies's narration understands this: he treats the reflective passages as equal in weight to the survival content rather than treating one as the point and the other as filler. The result is a memoir that stays with you longer than its modest runtime suggests it should.

Seven Hours of Deliberate, Low-Key Calm

This audiobook rewards listeners drawn to wilderness memoir and self-sufficiency writing. It is particularly relevant for anyone who has a long-deferred outdoor dream and keeps finding reasons to push it further into the future. Ordorica's calm authority is both informative and gently motivating without being preachy about it. Listeners expecting a dramatic survival narrative with high-stakes conflict will find the pace too reflective. The danger in Ordorica's story is real but low-key: cold, isolation, small errors that require patient correction. The rewards are similarly quiet. That is exactly the right register for the book's subject, but not every listener will want nearly seven hours of deliberate calm.

  • Performance: Stephen Bel Davies reads with unhurried steadiness that suits Ordorica's reflective, practical voice perfectly, no drama, just clear and grounded delivery.
  • What it covers: Wilderness solitude, self-sufficiency, the pull of the wild
  • Feel: Quiet and contemplative, with a pragmatic undertow
  • Our call: For anyone who has ever stared at a map of Alaska and felt the pull, this audiobook is part practical guide, part proof that the dream is livable.

Is this audiobook more of a practical survival guide or a personal memoir?

Both, in alternating layers. Ordorica weaves practical advice, how to handle extreme cold, how to get water, how to manage winter darkness, through a first-person account of actually living it. One reviewer notes the first portion leans toward advice, with the memoir texture taking over as the story develops.

How does Stephen Bel Davies handle the technical and practical sections of the audiobook?

Davies reads those sections with methodical clarity that keeps them from feeling like a manual. His unhurried pace suits both the practical content and the reflective memoir passages, and he does not shift register dramatically between them, which holds the book together as a unified listening experience.

Does the Alaskan Retreater's Notebook audiobook cover all aspects of wilderness living in detail?

It covers cold-weather survival, water, darkness, and mental preparation thoroughly. Some listeners have noted that food procurement and cooking get less attention than they would like. The book is strongest on the mindset and practical logistics of surviving extreme cold rather than on wilderness foraging or hunting.

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What Listeners Are Saying

★★★★★

Excellent!

I thoroughly enjoyed this interesting book and hated when it ended. I looked for similar books by him but it appears that all of his other books are about guns. The first portion of this book was largely advice to people who were thinking of spending any length of time...

- Kindle Customer
★★★★☆

not a bad read

Got repetitive,,would have liked more detail about getting food, salary, cooking, etc. but still pretty good

- NY Outdoors
★★★★★

Educational and Fun

Well worth the price. Fun read. Good information for anyone who has never done this, but has dreams.

- Church Mouse
★★★☆☆

Here for a minute, and gone.

I have grown tired of the Alaskan tourist. These folks "happen upon" a cabin already situated on flat and level land. Then the stove, front door, and floor is just below their standard. They don't have much nice to say about those who came before them. These folks aren't here...

- simon
★★★★★

Wow! Read it then read it again.

Great read. Realistic observations without the melodramatic BS ( You know 'THERE I WAS WITH A BIG GRIZZLY CHARGING FROM MY RIGHT AND A MOOSE CHARGING FROM MY LEFT) . His very realistic battles to keep his stove burning. that is no less deadly. The compassion of the others there;...

- john w millington

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Alexandra Reed

Written by Alexandra Reed

Founder & Literary Critic