The Second Siege
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The Second Siege by Henry H. Neff | Free Audiobook

Part of The Tapestry #2

By Henry H. Neff

Narrated by Jeff Woodman

🎧 15 hours 📘 Recorded Books 📅 April 27, 2009 🌐 English
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About This Audiobook

GRAVE FORCES ARE converging to seize control of the Book of Thoth, a hidden artifact whose pages hold the key to creating—or unraveling—the very threads of existence. Under the care and tutelage of Cooper, Rowan’s most lethal Agent, Max McDaniels and David Menlo embark on a quest to protect the book from the demon Astaroth, who would exploit its secrets with dire consequence. And with Astaroth free after centuries of imprisonment, the world outside Rowan’s gates has already become hostile.

Far from home, cut off behind enemy lines, Max and his allies must journey across Europe, descend into the fabled Frankfurt Workshop, brave the tangled corners of the Black Forest . . . and cross beyond the veils of our very world.

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Quick Take

  • Narration: Jeff Woodman brings measured authority to The Tapestry series, suiting the blend of contemporary adventure and deep mythological reach, his pacing is unhurried but never slow.
  • Themes: The Book of Thoth as ultimate object of desire, the cost of power across centuries, friendship tested by genuine danger
  • Mood: Epic and sprawling, with a darkness that earns rather than borrows its atmosphere
  • Verdict: A stronger second installment than the first, Henry Neff’s ambition and lyrical precision hit their stride, and the European quest structure opens the series to its full potential.

I started The Second Siege the same week I had been rereading some Le Guin, which probably set my expectations for mythological density at an unfair height. But Henry H. Neff surprised me. This second volume of The Tapestry series does something I did not expect: it uses its European geography the way Le Guin uses her archipelago, as a world where each location carries specific history and meaning, and crossing into it changes you. The Frankfurt Workshop is not just a setting. It is an argument about what gets preserved and why.

The setup continues directly from book one. Cyrus and Antigone Smith lost the Dragon’s Tooth to Dr. Phoenix, and Phoenix has been using it to hunt down the transmortals one by one. Gilgamesh of Uruk has descended on Ashtown with an army demanding justice. Max and David are sent on a quest under the care of Cooper, Rowan’s most lethal Agent, to protect the Book of Thoth from Astaroth, a demon freed after centuries of imprisonment. This is a great deal to manage at the opening of a second novel, and Neff manages it with the confidence of a writer who has grown into his world between books.

Gilgamesh at the Gates and What He Represents

The arrival of Gilgamesh is the best thing in the book’s opening act. Here is a figure who has survived since the Sumerian era, who carries the weight of every civilization that has risen and fallen since he was young, who is genuinely and justifiably furious, and he is furious at two children. That asymmetry is played for tension rather than comedy, which is the right call. One reviewer praised Neff’s ability to draw a scene both lyrically and in a literal sense, and the Gilgamesh confrontation is exhibit one. The ancient warrior code and the modern institutional standoff produce a friction that gives the adventure an unusual seriousness.

The Frankfurt Workshop and the Geography of Myth

The journey across Europe in the book’s second act is where Neff’s research and imagination work together most visibly. The Frankfurt Workshop feels like it was designed by someone who genuinely asked what the organizational logic of a mythological archive would be. The Black Forest passage draws on German folklore in ways that feel earned rather than borrowed. The descent beyond the veils of the ordinary world in the book’s final stretch produces the kind of wrongness that good fantasy horror achieves, not shock, but a sense that the rules have changed and you do not know the new ones. A reader who found the first Tapestry book promising but somewhat contained will find this volume the place the series becomes itself.

Jeff Woodman and the Lyrical Passages

Jeff Woodman has narrated the Tapestry series with a consistent register that serves the tonal range of the material. His performance in The Second Siege is notable for how naturally he handles the descriptive passages, the quality that reviewers repeatedly flag as Neff’s particular strength. The creature introductions, where Neff pauses to give brief descriptions and facts about each new being encountered, land with real pedagogical pleasure in audio form, because Woodman delivers them with just enough gravity to make the information feel significant rather than textbook. At fifteen hours the runtime is substantial, but listeners who have come from book one will not find that daunting.

One reviewer described staying up all night unable to put this book down, finding the narrative much stronger and more engaging than the first. That experience tracks. The Second Siege is the book where Neff’s reach and his execution align, the scope is large, the darkness is real, and the writing justifies both.

Who should listen: Readers who have completed The Hound of Rowan and want the series to deepen, older middle-grade listeners ages eleven and up who want adventure fiction with genuine mythological reach, and fans of N. D. Wilson’s Ashtown Burials who want to explore the adjacent tradition of Christian-influenced fantasy for young readers. Who should skip: Listeners starting the series should begin with book one, and those who found the first volume’s darkness too heavy will find this one more intense rather than lighter.

Frequently Asked Questions

Is The Second Siege a good place to start the Tapestry series, or do I need to start with The Hound of Rowan?

Start with The Hound of Rowan. The Second Siege picks up directly where the first book ends, and the emotional weight of Max and David’s situation, especially their damaged standing at Ashtown, only registers fully with the first book’s context. Most readers find book two stronger than book one, but book one is essential groundwork.

The synopsis mentions the Book of Thoth, is this the same Book of Thoth from Egyptian mythology?

Yes. Neff draws on the Egyptian mythological tradition in which Thoth was the god of writing and knowledge, and his book was said to contain the secrets of creation. Neff uses this as a genuine mythological anchor rather than a casual name-drop, and the theological weight of the artifact is taken seriously throughout the book.

How does The Tapestry series handle darkness and violence, is it appropriate for younger middle-grade readers?

The series sits at the heavier end of middle-grade fantasy. Death is real and present, danger is consequential, and the philosophical dimensions involve mortality and the meaning of survival. Most recommendations set the floor at ages ten to twelve, with the acknowledgment that emotionally mature younger readers can handle it.

Does Jeff Woodman narrate the entire Tapestry series, or does the narrator change between volumes?

Jeff Woodman narrates The Second Siege. Listeners should verify narrator consistency across the full series before committing to the audiobook format, as changes in narrator between volumes can affect character voice continuity in ways that are particularly disruptive in long-running series.

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Alexandra Reed

Written by Alexandra Reed

Founder & Literary Critic