Quick Take
- Narration: Brian Jacques reads his own work with the theatrical energy of a natural storyteller, voicing every creature with distinct regional British accents and real gusto.
- Themes: Coming-of-age courage, found family and military loyalty, the cost of protecting community
- Mood: Rousing and nostalgic, with feasting scenes that make you hungry and battle scenes that quicken the pulse
- Verdict: One of the series’ most beloved entries, and a natural home for young listeners discovering Redwall for the first time as well as adults revisiting it decades later.
I first encountered the Redwall series at around nine years old, reading a battered library copy of the original book in a single afternoon. Brian Jacques narrating his own work is a particular pleasure I did not experience until much later, and returning to The Long Patrol in audio form with Jacques at the helm is something close to the experience of hearing a master telling his own campfire story. He does not just read. He performs. Every hare, every badger, every villainous Rapscallion gets a distinct voice, a distinct energy, and a distinct relationship to the listener’s imagination.
The Long Patrol is the tenth entry in the Redwall series, which means it arrives with a fully established world and a reliable set of satisfactions. Jacques had perfected his formula by this point: a young protagonist on the cusp of adulthood, a civilization-threatening enemy, an institution worth defending, and enough feasting and song to balance the bloodshed. That formula is not a limitation here. It is a promise fulfilled.
Our Take on The Long Patrol
Young Tammo is the book’s center, and he is the kind of protagonist the Redwall series does best: inexperienced, earnest, courage-driven before he has any real cause to be confident. His dream of joining the Long Patrol, the legendary hare military force of Salamandastron, drives the first act, and his education in what courage actually costs drives everything after. The Rapscallion army threatening Redwall Abbey provides the structural threat, but the emotional story is about what it means to become someone worthy of the company you keep.
One reviewer noted that the food descriptions can become tedious, and that is honest. Jacques’s menus are elaborate and very British in their particulars. Another reviewer suggested that the songs and poetry can be skimmed without losing the plot. That is also true, but it somewhat misses the point. The feasts and songs are not decoration. They are the world’s argument that life is worth defending. The pleasure in listening to Jacques describe a magnificent abbey spread is inseparable from the pleasure of watching Tammo and his companions fight to protect the place where such spreads can exist.
Why Listen to The Long Patrol
The case for the audiobook over the print version is strong and simple: Brian Jacques. He was a BBC radio presenter before he became a novelist, and his oral storytelling instincts are embedded in the books at a structural level. Listening to him narrate his own dialogue is like hearing the source code of a text made audible. The hare dialect, the villain growls, the abbey mouse accents all arrive with an authority and delight that no outside narrator could replicate. This is one of those rare audiobooks that represents an upgrade rather than a translation of the reading experience.
The runtime of just over ten hours is appropriate for the material. The book does not drag. Jacques moves through his subplots with economy even when the main narrative slows for a feast or a ballad. The multiple interwoven storylines that the series is known for, young protagonist’s arc, threat to the abbey, internal castle drama, each get sufficient time without any feeling overextended.
What to Watch For in The Long Patrol
This is book ten in a twenty-two book series. It functions well as a standalone in the sense that it explains what it needs to, but listeners new to Redwall will miss the accumulated texture of the world. The abbey’s history, the significance of Salamandastron, the weight of what the Long Patrol represents, all of these carry more meaning if you have spent time in earlier books. That said, several parents in the reviews report their children encountering the series for the first time through this entry and becoming immediately hooked. The books are permissive about entry points in a way that many series are not.
The violence is pitched for middle grade readers, which means it is present and consequential, characters die and the loss matters, but it is not graphic. The emotional register throughout is one of genuine stakes rather than dark violence for its own sake. Jacques believed, as the series repeatedly demonstrates, that children can handle real peril and real grief when it serves a story about what is worth protecting.
Who Should Listen to The Long Patrol
The Redwall series has always read across a wider age range than its marketing suggested. It is shelved in children’s, but adults who loved it at nine will find it just as absorbing at thirty-five, and the audio format removes any residual self-consciousness about returning to a childhood favorite. For families listening together, this is among the best entries to share. For solo adult listeners, it offers genuine comfort and the particular pleasure of a story that knows exactly what it is and does it completely.
Frequently Asked Questions
Is The Long Patrol suitable as a first entry point for listeners who have never read any Redwall books?
It works reasonably well as a standalone, but the world carries more weight if you have read some earlier entries. The original Redwall, Mossflower, or Mattimeo are better starting points. That said, several families have begun with this book and found it an effective introduction to the series.
How does Brian Jacques narrating his own work compare to other professional narrators who have recorded the Redwall books?
Jacques is categorically better for this material. His background in BBC radio performance gives him skills most authors lack, and his ownership of the characters’ voices is complete in a way that no outside narrator can replicate. If you have a choice between his narration and anyone else’s for these books, choose his.
The reviews mention the food descriptions can be tedious, how much of the runtime do they actually occupy?
The feast scenes are a recurring feature across the Redwall series but do not dominate the runtime. They typically appear as chapter-opening or celebratory sequences and can run a few minutes each. They are more charming in audio than in print, since Jacques delivers them with the same enthusiasm he brings to the action sequences.
Is the violence in The Long Patrol appropriate for an eight or nine year old listener?
Yes, for most children in that range. The violence is present and characters do die, including some with emotional weight, but Jacques keeps the carnage consequence-driven rather than graphic. The series has always been pitched slightly older than its children’s shelving suggests, and parental calibration based on the individual child makes more sense than the age rating alone.
