The Martian
Audiobook & Ebook

The Martian by Andy Weir | Free Audiobook

By Andy Weir

Narrated by Wil Wheaton

🎧 10 hours and 59 minutes 📘 Audible Studios 📅 January 1, 2020 🌐 English
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About This Audiobook

A brand-new production of Andy Weir’s modern sci-fi classic, narrated by the incomparable Wil Wheaton, and featuring bonus content from the writings of Mark Watney.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars.

Now, he’s sure he’ll be the first person to die there.

After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive – and even if he could get word out, his supplies would be gone long before a rescue could arrive.

Chances are, though, he won’t have time to starve to death. The damaged machinery, unforgiving environment, or plain old “human error” are much more likely to kill him first.

But Mark isn’t ready to give up yet. Drawing on his ingenuity, his engineering skills – and a relentless, dogged refusal to quit – he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?

Wil Wheaton, who has lent his voice to sci-fi blockbusters like Ready Player One and Redshirts, breathes new life (and plenty of sarcasm) into the iconic character of Mark Watney, making this edition a must-listen for both longtime fans of The Martian and new listeners alike.

BONUS MATERIAL: This edition includes the following extras:

“Diary of an AssCan” – Mark Watney, new astronaut
“I Made It!” – A happy letter to Mom
“Car Trouble” – A somewhat sad letter to Mom
“The Earthling” – A postscript. *Available for the first time in this recording

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Quick Take

  • Narration: Wil Wheaton is an ideal fit for Mark Watney, he captures the gallows sarcasm and engineering obsession without losing the genuine fear underneath.
  • Themes: Survival against impossible odds, the redemptive power of science, dark humor as coping mechanism
  • Mood: Propulsive, tense, and genuinely funny in spite of itself
  • Verdict: If you want a science-driven survival story that keeps you engaged through sheer ingenuity and wit, this production delivers on every level.

I remember exactly where I was when I first listened to The Martian, not this 2020 Wil Wheaton production, but an earlier version I found on a long train ride from Lyon to Paris. I had two hours to kill and figured I would sample a chapter. I arrived at Gare de Lyon still sitting in the station for another forty minutes, unable to stop. When the Audible Studios 2020 production landed with Wil Wheaton narrating, I came back immediately. The question was whether it could do anything new with a story I already knew by heart.

It can. And it does.

Our Take on The Martian

Andy Weir’s novel about astronaut Mark Watney, accidentally abandoned on Mars during a dust storm evacuation and left with limited supplies and a broken communication system, is one of those rare books that functions as both a thriller and a science textbook without feeling like either. Watney’s survival plan, growing potatoes in Martian soil using his own waste as fertilizer, repurposing a rover for a multi-sol journey across a barren planet, improvising with components from a 1970s space probe, is documented with such obsessive precision that it feels less like fiction than like a real incident report from a future NASA mission. What Weir understood intuitively is that readers do not need the science dumbed down; they need a protagonist who explains it with personality. Watney is that protagonist. His log entries alternate between detailed technical problem-solving and sharp self-deprecating humor, and the combination works because both feel authentic to the same voice.

Why Listen to The Martian Rather Than Read It

The case for audio here is Wil Wheaton, full stop. Wheaton has narrated enough science fiction to understand that this genre rewards commitment. He does not play Watney’s quips as stand-up comedy, he delivers them the way a genuinely frightened person makes jokes to stay sane, with the flatness and timing of someone who has been alone for too long. During the quieter log entries, when Watney is calculating odds and not liking the results, Wheaton lets the silence breathe in a way the page cannot. The 2020 edition also includes bonus material: a new astronaut diary, two letters home that span from excited to heartbroken, and a postscript that feels like a coda to the entire novel. None of it is essential, but all of it is good, and the letters in particular add warmth that the main text, structured as mission logs, does not always allow.

What to Watch For in the Science

Some listeners push back on the novel’s scientific plausibility, and fairly: the dust storm that opens the book is significantly more dramatic than Martian atmospheric conditions would actually produce. Weir has acknowledged the error. What the book gets remarkably right is the psychological reality of isolation and the specific texture of engineering problem-solving. Watney does not brainstorm perfectly and execute cleanly; he overcalculates, worries about variables he cannot control, and occasionally makes decisions that feel desperate rather than brilliant. The novel’s tension comes not from whether he is smart enough but from whether the universe will cooperate with someone who is doing everything right. That distinction matters. It is the difference between a story about a genius and a story about a person, and reviewers who called it not science fiction but Science Fiction, emphasizing the capital letters, are pointing at something real. The research underpinning the survival sequences is dense enough to teach you something, and Wheaton’s pacing ensures it never tips into lecture.

Who Should Listen to The Martian

This production is ideal for anyone who has avoided the book because they saw the Matt Damon film and assumed they had gotten the full story. The film is a fine adaptation, but it necessarily condenses and tidies. The audio version restores the full texture of Watney’s decision-making, the slower sections that build dread more effectively than any action sequence, and the ensemble of NASA voices on Earth that the film handles almost as an afterthought. Listeners who struggle with technical prose in print will likely find the audio format reduces that friction considerably, Wheaton makes the orbital mechanics and chemistry feel conversational rather than academic. If hard science fiction usually loses you around the third set of calculations, try this one anyway. It earns its equations.

Frequently Asked Questions

Does Wil Wheaton’s narration add anything compared to reading the text?

Substantially yes. Wheaton’s understanding of the genre and his specific calibration of Watney’s voice, dry, frightened, and intellectually restless, adds emotional layers that print cannot replicate. The bonus material also makes this edition worth seeking out over earlier audio versions.

Is this suitable for listeners who are not into science fiction?

More than most. The novel is fundamentally a survival story with science as the tool, not the subject. If you can follow a cooking recipe or a home renovation project, you will follow Watney’s engineering without difficulty. The humor keeps the pacing light even during the most technically dense passages.

How does the 2020 production differ from the original audiobook?

The most significant difference is the narrator, Wil Wheaton replaces the original recording, and the addition of exclusive bonus content including three short diary entries and letters from Mark Watney that were not part of the published novel.

Does the story hold up if you already know the ending from the film?

Yes. The tension in The Martian comes from the granular problem-solving process, not from uncertainty about the outcome. Knowing Watney survives does not reduce the suspense of watching him figure out how, step by step, over ten-plus hours.

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Alexandra Reed

Written by Alexandra Reed

Founder & Literary Critic